New recording! — …in jeder Hinsicht indirekt… (2017-18)

Another recording today! This time is the studio recording that Ensemble Schallfeld did of my “…in jeder Hinsicht indirekt…” (2017-18), for Baritone Sax, Piano, Percussion, Double Bass and Live Electronics. This piece was written after the text “Die Sehnsucht der Zellen” by Alexander Kluge and was comissioned by IMPULS as part of the Text im Klang #3 Project.
Hope you enjoy it!

Eine weitere Aufnahme heute! Diesmal ist es die Studioaufnahme, die das Ensemble Schallfeld von meiner “…in jeder Hinsicht indirekt…” (2017-18), für Bariton Sax, Klavier, Schlagwerk, Kontrabass und Live Electronics gemacht hat. Dieses Stück wurde nach dem Text “Die Sehnsucht der Zellen” von Alexander Kluge geschrieben. Es wurde von IMPULS im Rahmen des Projektes Text im Klang #3 in Auftrag gegeben. Das Stück wurde am 1. Juni im Großen Minoritensaal Graz uraufgeführt.
Hoffe es gefällt euch!

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New recording! — IMPACT / TREMORS / SHIFTING

You can already listen to this wonderful recording of my piece IMPACT / TREMORS / SHIFTING (2017/18), with the Orchestre Philharmonique de Radio France + Ulysses Ensemble conducted by Peter Rundel.

The premiere took place at Centquatre Paris, on June 23rd 2018, as part of the final concert of the Orchestral Reading Workshop of the IRCAM’s ManiFeste Academy 2018.

Hope you enjoy it as much as I do!

Radio broadcast — Impact / Tremors / Shifting

My piece Impact / Tremors / Shifting (2017-18), written for l’Orchestre Philharmonique de Radio France, was premiered at Centquatre Paris during the final concert of the Orchestral Reading Workshop of Ircam’s ManiFeste 2018, under the baton of Peter Rundel.

Now you can listen to it, alongside music by David Clay Mettens, Sina Fallahzadeh, LangQing Ding, Utku Asuroglu, Clara Olivares, Jinwook Jung, Cameron Graham and Karlheinz Stockhausen (Dritte Region von Hymnen) in the website of Radio France:

https://www.francemusique.fr/player/export-aod?content=47d8ae02-d025-479b-91df-64009828670c

New recording! — “…and they’ve got us in their cage, ruined of grace and senses…” BCN216

So! Here you go with a new recording of my duo for Bass Clarinet and Cello, brilliantly performed by Erica Lauren Wise and Xavi Castillo from Ensemble BCN216. This is from the dress rehearsal —I couldn’t wait anymore to upload it, the concert recording is coming soon— of the concert we had last May 13th in the Institut Français of Barcelona, part of the Institut Français – Barcelona Modern Project workshop for Young Composers, with Raphaël Cendo as a guest teacher.
 
Hope you enjoy it! Viel Spaß!

New video recording! — Ecstasy through mayhem (2014/15)

So, you finally got it! Here’s the video recording of my string quartet, Ecstasy through mayhem! This is my final recital at CSMA, on last June the 12th, with the outrageous Juan Zalba​, Ricardo Villalta García​, Carolina Uriz​ and Marco Castrillo Ibáñez​.
As you will see, they performed it amazingly. Never thankful enough.
Hope you enjoy it! I definitely do!

New video recording! — MACRO I

It’s finally here! There you go with the live recording of MACRO I, (2015), for Video, Electric Guitar and Live Electronics. I did the music and the video is by David Gonher.  It was premiered on May the 12th at my end of studies recital, at CSMA.

Hope you enjoy it as much as we do!

Still more to come!

New recording! — Only then I felt the ice (2015)

(Finally) There you go with the live recording of my piece Only then I felt the ice (2015), for Flute, Tenor Sax, Violin and Violoncello, which was brilliantly performed by the wonderful musicians of Ensemble Multilatérale (Matteo Cesari, Miguel Angel Lorente, Antoine Maisonhaute and Séverine Ballon) during one of the two final concerts of Masterclass Inaudita (with Franck Bedrossian, Yann Robin and Francesco Filidei) on June the 26th 2015 at Barga, Italy.

Thank you so much for you magnificent work! Hope you enjoy the recording as much as I do!

New recording! — End of the Road (2015)

Here you go with a new recording of my piece “End of the Road” (2015), for Symphony Orchestra (3.3.3.3—4.3.3.1—Timp., 4 Perc., 2 Hrp., Pno.—12.10.7.6.4)., from June the 5th reading session with Juan Luis Martínez and the CSMA Symphony Orchestra.

Thank you so much for your work! Hope you enjoy it as much as I do!

New recording! – Broken (2014), Spanish Premiere.

There you go with a new live recording of my piece Broken (2014), for Viola Solo, from my End of Studies Recital (that took place last Tuesday May the 12th, 2015, at the “Eduardo del Pueyo” Concert Hall of the Superior Music Conservatory of Aragón, Zaragoza, Spain).

I have to thank the great Cecilia Bercovich for this magnificent performance!

Hope you enjoy it as much as I do!

New recording! — Ecstasy through mayhem (2014-15) World Premiere

There you go with the brand new brilliant recording of my string quartet Ecstasy through mayhem (2014-15).

I can’t stop thanking the four magnificent performers and the excellent conductor. I hope you’ll enjoy this recording as much as I do!

“Eduardo del Pueyo” Concert Hall. Superior Music Conservatory of Aragón (CSMA)

Academy for the New Music CSMA:

Vl. I: Juan Zalba.

Vl. II: Roberto Villalta.

Vla.: Carolina Uriz.

Vc. Marco Castrillo.

Program notes of the premiere (spanish):

Program notes (Spanish):

Franck Bedrossian define la Distorsión del sonido / Saturación del significado como el sonido que proyecta un exceso de significado y que genera ambigüedades, tanto culturales como emocionales. Para él, “la saturación acústica provoca confusión poética”. De una forma similar, he tratado de buscar una gradación en la energía sonora: desde la mayor violencia y complejidad de su química hasta la desnudez y la práctica ausencia de actividad. El título, poéticamente, refleja la búsqueda de una catarsis a través del caos y el exceso. En términos de color luz (RGB), el blanco se consigue al sumar todas las longitudes de onda del espectro, al contrario que en color pigmento (CMYK), en el que el blanco es la ausencia total de color. He buscado el blanco RGB, el negro CMYK y el mundo infinito entre ellos y sus opuestos.