Vaporwave, deadly lasers and crab raves
Vaporwave, deadly lasers and crab raves (2022), for ALESIS Wireless Vortex 2, Live Electronics (Ableton Live) and Live Video (Max/MSP—Jitter)
Written for María Domínguez Pérez with the support of SKE Kompositionsförderung
Keytar: María Domínguez Pérez
Mix and Master: Murat Çolak
Video production: Nicolae David
Rückstoß/Rückschlag
Rückstoß/Rückschlag (2019), for Solo Spring Drum
Manuel Alcaraz Clemente
Grazer Kunstverein, 10/12/2021
Live Streaming
Audio recording, mixing and mastering: Diego Jiménez Tamame
Video by https://www.ndbewegtbild.at
Broken_[b]
Broken_[b] (2013), for Solo Violin
Jacobo Hernández Enríquez in collaboration with Tempus Konnex Ensemble
Studio recording
L.H.O.H.Q.
L.H.O.H.Q. (2020/21), for Ensemble, live video and live electronics (Max/MSP + Ableton Live 11)
Sara Méndez Arias: AKAI EWI USB + Amplified Tenor Saxophone
Pablo Paz López: Novation Launchpad X
Alicia Sánchez Reyes: MIDI Keyboard
Pedro González Fernández: Amplified Violin
15/05/2021 DOMUS A Coruña, Spain
Thin Film Interference
Thin Film Interference (2020), for Ensemble and Live Electronics
Comissioned by Schallfeld Ensemble, funded by the SKE Kompositionsförderung
Elisa Azzarà /Flöte
Szilárd Benes /Klarinette
Diego García Pliego /Saxophon
Alex Tentor /E-Gitarre
Manuel Alcaraz Clemente /Percussion
Maria Flavia Cerrato /Klavier
Lorenzo Derinni /Violine
Myriam García Fidalgo /Violoncello
Margarethe Maierhofer-Lischka /Kontrabass
Davide Gagliardi /Live-Elektronik
Leonhard Garms /Dirigent
https://www.schallfeldensemble.com
Video by https://www.ndbewegtbild.at
20/10/20 Theater Im Palais (TiP), Kunstuniversität Graz, AT
Rückstoß/Rückschlag
Rückstoß Rückschlag (2019) for solo spring drum
Written for/performed by Manuel Alcaraz Clemente
Audio recording, mixing and mastering: Diego Jiménez Tamame
Video by https://www.ndbewegtbild.at
…and they’ve got us in their cage, ruined of grace and senses…
…and they’ve got us in their cage, ruined of grace and senses… (2016/17), for Bass Clarinet and Violoncello
After a text by C. Bukowski
Written for Ensemble BCN 216.
Austrian Premiere.
Bass Clarinet: Teresa Doblinger
Violoncello: Lucía Pérez Diego
Klassenabend Studierende von Clemens Gadenstätter
17/05/2019 MUMUTH Proberaum, Kunstuniversität Graz, AT.
Trilogue (full performance)
Premiere in June 22nd 2017. Invisible Drives #4 Project. Universität für Musik und Darstellende Kunst Graz.
MUMUTH. Lichtenfelsgasse 14, 8010 Graz, Österreich.
First collaboration with Trilogue Collective
Choreography and performance: Ursula Graber
Live video: Pol Monsó
Live electronics: Diego Jiménez Tamame
Trilogue (teaser)
Premiere in June 22nd 2017. Invisible Drives #4 Project. Universität für Musik und Darstellende Kunst Graz.
MUMUTH. Lichtenfelsgasse 14, 8010 Graz, Österreich.
MACRO I — with David GonHer
Electric guitar: Diego Jiménez Tamame
Live electronics control: Diego Jiménez Tamame.
Video: David Gonher
Ecstasy through mayhem
Video recording at Eduardo del Pueyo Concert Hall (CSMA) –Zaragoza, Spain– on May the 12th, 2015.
Violin I: Juan Zalba
Violin II: Roberto Villalta
Viola: Carolina Uriz
Violoncello: Marco Castrillo
Don’t condescend [Don’t even disagree] (II)
MATA Festival 2016.
Ensemble neoN
Scandinavia House, 58 Park Ave, New York, NY 10016, USA.
United States premiere.
Conductor: Magnus Loddgard
Flute: Yumi Murakami
Bass Clarinet in Bb: Kristine Tjøgersen
Piano: Heloísa Gomes do Amaral
Violin: Karin Hellqvist
Violoncello: Inga Byrkjeland
Don’t condescend [Don’t even disagree]
Video recording of the concert by Academy for the New Music CSMA at Eduardo del Pueyo Concert Hall (CSMA) –Zaragoza, Spain– on November the 18th, 2014.
Spanish premiere.
Academy for the New Music CSMA:
Flute: Marta Gómez Alonso
Bass Clarinet in Bb: Adrián Bartolomé Manzanos
Piano: Carlos Sanchís Aguirre.
Violin: Laura Espino Muñoz.
Violoncello: Marco Castrillo Ibáñez.
Conductor: Nacho de Paz.
diegojimeneztamame.com 