Chamber Music


Glacial Chasm, Three visions of Ice (8′)

  • I. Frostbite
  • II. Homeostasis
  • III. Dark Depths

for Ensemble Linea, Academie Voix Nouvelles Royaumont 2021

Shô [Sheng], Accordion, Violin, Viola, Violoncello


thin film interference (23′)

for Ensemble Schallfeld

Flute (+Picc., B. Fl.), Cl. (+B. Cl.), Sax. (Sop., Bar.), Perc., Pno. (+KB.), E. Gtr., Vl., Vc., D.B. and Live Electronics (8CH live processing via Max/MSP)


[to be enveloped by] BLCK (10′)

for Ensemble Multilatérale

Five short pieces on poems and paintings by Aldo Tambellini

  1. to BLⒶCK from BLⒶCK (2′)
  2. BLⒶCK energy burns with fire (2′)
  3. the coming to be, resonating in the echo (2′)
  4. from the invisible made visible (2′)
  5. perforated on a BLⒶCK slate sky (2′)

Collaboration with Radio France, “Création Mondiale” Program.

Bass Flute, Bass Clarinet, Percussion [Floor Tom, 2 Toms, Ride Cymbal, Chinese Cymbal, Tam-Tam, Thunder Sheet], Piano, Violoncello and Contrabass.


a drop of honey (9′)

for the Ensemble für Neue Musik Kunstuniversität Graz.

Bass Flute, Bass Clarinet in Bb, Baritone Saxophone, French horn in F, Trumpet in Bb, Trombone, Percussion, Electric Bass Guitar, Piano, 2 Violin, Viola and Violoncello.

“…in jeder hinsicht indirekt…”, on a text by Alexander Kluge (10′)

for Schallfeld Ensemble, Text im Klang Projekt. Comissioned by IMPULS.

Baritone Saxophone, Percussion, Piano, Double Bass and Electronics (Xbox 360 controller and Max/MSP)


Interstices (≈18′)

for Quatuor TANA

for String Quartet (2Vl., Vla., Vc.)

Wiener U-Bahn. Straßenmusik. (variable duration)

for any combination of instruments.

…and they’ve got us in their cage, ruined of grace and senses… (≈12′)

for Ensemble BCN216

for Bass Clarinet and Violoncello.


Vértigo (≈6′)

for Ensemble Multilatérale

for B. Fl., B. Cl., Hrp., Vl. and Vc.


Only then I felt the ice (5’30”)

for the Ensemble Multilatérale

for Flute (Picc.), Tenor Saxophone, Violin and Violoncello.


Ecstasy through mayhem (15’)

for String Quartet (2Vl., Vla., Vc.)


Don’t condescend [don’t even disagree] (4’30”)

for Meitar Ensemble.

for Fl., B. Cl. in Bb, Pno., Vl. and Vc.


Expansive Movements (8’40”)

for Soprano Saxophone in Bb, Percussion, and Piano.

Intuitive Drummin’ Studies Nr. 1 (2′)

for Bongos, Temple Blocks and Congas.

About blood pulse and misty minds (10’30”)

In Memoriam Jonathan Harvey; dedicated to Jesús Rueda.

for Fl. (Picc.), Cl. in Bb (B. Cl. in Bb), Pno., Vl., Vla. and Vc.