New video recording! — Ecstasy through mayhem (2014/15)

So, you finally got it! Here’s the video recording of my string quartet, Ecstasy through mayhem! This is my final recital at CSMA, on last June the 12th, with the outrageous Juan Zalba​, Ricardo Villalta García​, Carolina Uriz​ and Marco Castrillo Ibáñez​.
As you will see, they performed it amazingly. Never thankful enough.
Hope you enjoy it! I definitely do!

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New recording! – Broken (2014), Spanish Premiere.

There you go with a new live recording of my piece Broken (2014), for Viola Solo, from my End of Studies Recital (that took place last Tuesday May the 12th, 2015, at the “Eduardo del Pueyo” Concert Hall of the Superior Music Conservatory of Aragón, Zaragoza, Spain).

I have to thank the great Cecilia Bercovich for this magnificent performance!

Hope you enjoy it as much as I do!

New recording! — Ecstasy through mayhem (2014-15) World Premiere

There you go with the brand new brilliant recording of my string quartet Ecstasy through mayhem (2014-15).

I can’t stop thanking the four magnificent performers and the excellent conductor. I hope you’ll enjoy this recording as much as I do!

“Eduardo del Pueyo” Concert Hall. Superior Music Conservatory of Aragón (CSMA)

Academy for the New Music CSMA:

Vl. I: Juan Zalba.

Vl. II: Roberto Villalta.

Vla.: Carolina Uriz.

Vc. Marco Castrillo.

Program notes of the premiere (spanish):

Program notes (Spanish):

Franck Bedrossian define la Distorsión del sonido / Saturación del significado como el sonido que proyecta un exceso de significado y que genera ambigüedades, tanto culturales como emocionales. Para él, “la saturación acústica provoca confusión poética”. De una forma similar, he tratado de buscar una gradación en la energía sonora: desde la mayor violencia y complejidad de su química hasta la desnudez y la práctica ausencia de actividad. El título, poéticamente, refleja la búsqueda de una catarsis a través del caos y el exceso. En términos de color luz (RGB), el blanco se consigue al sumar todas las longitudes de onda del espectro, al contrario que en color pigmento (CMYK), en el que el blanco es la ausencia total de color. He buscado el blanco RGB, el negro CMYK y el mundo infinito entre ellos y sus opuestos.

New recording!

There you go with a new brilliant recording of my piece “Don’t Condescend [Don’t even disagree]” (2014) by the musicians of the Academy for the New Music CSMA conducted by Nacho de Paz on a wonderful concert—yesterday, November the 18th 2014 at the Eduardo del Pueyo Concert Hall at the Superior Music Conservatory of Aragón, Zaragoza, Spain— with an enthusiastic audience that ACTUALLY participated in the after-concert talk –and asked challenging questions, like “Do you see the world in this wicked way indeed?”—.

Flute: Marta Gómez Alonso
Bass Clarinet in Bb: Adrián Bartolomé Manzanos
Piano: Carlos Sanchís Aguirre
Violin: Laura Espino Muñoz
Violoncello: Marco Castrillo Ibáñez

Hope you enjoy it as much as I do!

PluralEnsemble Tour Dates

We already have dates for the concerts of the PluralEnsemble Tour where my piece About blood pulse and misty minds (2013) will be played, among music of composers like Gabriel Erkoreka, Luis de Pablo, Alberto Carretero, Georgina Derbez and Marcela Rodríguez:

— November the 11th, Concert Hall of Zaragoza. 19.30h. Free Access.

— December the 1st, Santa Clara Space of Sevilla. 20.30h. Free Access.

You are all welcome!

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www.pluralensemble.com