Interview on ORF Ö1 Zeit-Ton
Marie-Therese Rudolph interviewed me as one of the finalists of the Ö1 Talentebörse Composition Competition 2020.
Impact / Tremors / Shifting included in IRCAM’s Mediatheque
You can listen to a short excerpt of the piece following this link: https://medias.ircam.fr/xdaace4
Radio broadcast of Impact / Tremors / Shifting
My piece Impact / Tremors / Shifting (2017-18), written for l’Orchestre Philharmonique de Radio France, was premiered at Centquatre Paris during the final concert of the Orchestral Reading Workshop of Ircam’s ManiFeste 2018, under the baton of Peter Rundel.
Now you can listen to it on the podcast Le Concert du Soir, in the website of Radio France:
Radio broadcast of Vértigo
— My piece Vértigo, recorder by the Ensemble Multilatérale, was a small part of the Spanish Radio show Música Viva, in its program devoted to the 2018 edition of IRCAM’s ManiFeste —where I took part as one of the composers of the Orchestra workshop with Franck Bedrossian, Peter Rundel and L’Orchestre Philharmonique de Radio France/Ulysses Ensemble with my piece IMPACT / TREMORS / SHIFTING.
You can listen to the program (in Spanish) following this link: http://www.rtve.es/m/alacarta/audios/musica-viva/musica-viva-manifeste-2018-del-ircam-hablamos-daniele-ghisi-clara-olivares-17-06-18/4634783/?media=rne
Review of the austrian premiere of …in jeder Hinsicht indirekt…, by Ensemble Schallfeld
— Robert Tendl for Kleine Zeitung (Graz, Austria)
Review of the austrian premiere of Trilogue
—Eveline Koberg for tanz.at
Université D’Altitude 2016 — Interview
—Interview for the Ensemble Multilatérale YouTube Channel and media feed(s) by Hugo Warinsky.
MATA Festival 2016
“…The young Spanish composer Diego Jiménez Tamame packs a lot of dense, restless music into his five-minute “Don’t Condescend [Don’t Even Disagree].” It unfolds with violent shifts and gnashing chords as motifs and cells of pitches interact and recombine…“
“…Don’t condescend sounds like a dense burst of white noise, disassembled, with the parts all heading back to coalesce at a central point. The well-executed writing is full of power and gnarled timbres…“
— The New Yorker listing of the concert by Ensemble neoN at Scandinavia House, NYC, on April the 12th 2016.
— George Grella and Du Yun talk about 2016’s MATA Festival on BK Rail Tracks
SIRGA Festival 2014
Diego Jiménez Tamame, per la seva banda, presenta una proposta en què la música entra en combat amb si mateixa per transcendir l’encotillament dels esquemes rítmics, fortament marcats, a Don’t condescend (don’t even disagree).
PluralEnsemble Tour Coverage
— Diario de Sevilla 12/01/2013 Concert Review
— Sul Ponticello Magazine
National Center for Documentation of Music and Dance (CDMYD) of Spain
— Inclusion of my list of premieres in the database of the National Center for Documentation of Music and Dance.
Click here and type my full name (Diego Jiménez Tamame) in the browser that appears in the bottom of the page. You will find a list of my recent premieres and some interesting details of them.
Dawn at Ben Atar St. for Solo Vibraphone Premiere Coverage
— “Diario Bahía de Cádiz” concert review