[Now working on…]

New piece for Symphony Orchestra (——Timp.+2 Perc.—

for L’Orchestre Philharmonique de Radio France, Manifeste Academy reading panel 2018

New piece for Ensemble with live electronics, on a text by Alexander Kluge

for Schallfeld Ensemble, Text in Klang Projekt

New piece for Ensemble

for Ensemble Multilatérale

New piece for Bass Clarinet and live electronics

for Szilárd Benes

New piece for electro-acoustic Guitar and Source Audio HotHand (with Ableton Live).

for Sandro Rodrigues

[Chamber music]


Interstices (≈18′)

for Quatuor TANA

for String Quartet (2Vl., Vla., Vc.)

Wiener U-Bahn. Straßenmusik. (variable duration)

for any combination of instruments.

…and they’ve got us in their cage, ruined of grace and senses… (≈12′)

for Ensemble BCN216

for Bass Clarinet and Violoncello.


Vértigo (≈6′)

for Ensemble Multilatérale

for B. Fl., B. Cl., Hrp., Vl. and Vc.


Only then I felt the ice (5’30”)

for the Ensemble Multilatérale

for Flute (Picc.), Tenor Saxophone, Violin and Violoncello.


Ecstasy through mayhem (15’)

for String Quartet (2Vl., Vla., Vc.)


Don’t condescend [don’t even disagree] (4’30”)

for Meitar Ensemble.

for Fl., B. Cl. in Bb, Pno., Vl. and Vc.


Expansive Movements (8’40”)

for Soprano Saxophone in Bb, Percussion, and Piano.

Intuitive Drummin’ Studies Nr. 1 (2′)

for Bongos, Temple Blocks and Congas.

About blood pulse and misty minds (10’30”)

In Memoriam Jonathan Harvey; dedicated to Jesús Rueda.

for Fl. (Picc.), Cl. in Bb (B. Cl. in Bb), Pno., Vl., Vla. and Vc.

[Electronic music / mixed]


Schwarzer Zittern (12′)

for Ursula Graber

Fixed media

Kaleidoskopische trance (variable duration)

Live electronics, generative Max/MSP patch.

Trilogue (10′)

Collaborative project (live electronics [Myo Armband, Max/MSP, Ableton Live], live video and dance).

Invisible Drives #4 Project, Kunstuniversität Graz.

Frankenstein oder Der moderne Prometheus — Elektronische Stücke

  1. Der Kopf (4′)

Fixed media.


Hologram (3′)

for Ensemble Manufaktur für Aktuelle Musik

Miniature for Bass Flute with or without amplification through Surface Speakers.

…you took my breath away… (≈7′)

for Barcelona Modern Project

for Flute and live electronics (Myo armband controller, Max/MSP and Ableton Live 9)


MACRO I — with David GonHer (≈6’40”)

for video, electric guitar and electronics (Boss ME-70 Multi-effect pedal switch, Novation Launchpad S for Ableton Live)

Augenblick nr. 26 (2’40”)

Music for a short film by Telemach Wiesinger.

for electronics (Ableton Live + Max for Live)


Spasmodic War Lament [Syrian Machine Gun] (4’)

for Amp. Bassoon, Amp. Contrabassoon, Amp. Double Bass and Keyboard (live electronics controller)

Chiamate da l’abisso (Calls from the Abyss) (7’)

for Viola and Tape

[Orchestral music]


End of the Road (9’)

for Orchestra (——5 Perc., 2 Hrp., Pno.—


Low resolution (listen something unlistenable) (≈8′)

for String Orchestra (7 Vl. I, 6Vl. II, 5 Vla., 4 Vc., 1 Cb.)


Teufelsberg Field Station [Devil’s Mountain] (8’40”)

for Chamber Orchestra (——3 Perc., E. Gtr., Pno.—

[Solo music]


Hologram (3′)

for Ensemble Manufaktur für Aktuelle Musik

Miniature for Bass Flute with or without amplification through Surface Speakers.


Broken_[b] (variable duration)

for Violin.


Reflections on the meaninglessness of sound (≈7′)

for Maciej Frąckiewicz

for Accordion (Bayan)

Broken (variable duration)

for Cecilia Bercovich.

for Viola.

Summer Loops (7,5’)

I. [Low-fi voices in my head]

II. [Electric feedback echoes]

for Electric Guitar, e-bow and Boss ME-70 Multi-effect pedal switch.


Klavierstück nr. 1 (4′)

for Piano.

Dawn at Ben Atar St. (8’55”)

for Kike Labián Camino.

for Vibraphone.


Schizzi di Furia (Fury Sketches) (7’40”)

for Diego García-Pliego García-Muñoz.

for Alto Saxophone.

[Vocal music]


No meaning (at all) (≈3’40”)

for two spoken/sprechgesang voices.

Noche Oscura, Part II. On a text by San Juan de la Cruz (4′)

for OCAZ Enigma

for Reciter, Fl. (Picc.), Ob., Cl. in Bb (B. Cl. in Bb), F. Hn. in F, Pno., Vl., Vla., Vc., Cb.



Rain Tree Sketch II (1992)

Toru Takemitsu

Arranged for——Perc., Gtr., Pno., Acc.—


A.P., Dreiundzwanzig Orgelspiele, for Organ (1988)

Hermann Markus Pressl

Arrangement for Fl., Ten. Sax., Trpt., Acc., Pno., 2Vl. and Vc.


Mikrokosmos, Vol. IV, 102: Harmonics, for Piano

Béla Bartók

Arrangement for Orchestra.

Improvisations Op. 20, III, for Piano.

Béla Bartók

Arrangement for Orchestra.

Petites esquisses d’oiseaux. II. La Merle Noir (Turdus merula), for Piano (1987)

Olivier Messiaen

Arrangement for Orchestra.


Six epigraphes antiques: Pour un tombeau sans nom, for Piano.

C.A. Debussy

Arrangement for Orchestra.